Caution, 2017, 50″x24″, edition of 5. Shortlisted for the Capture Festival’s 2018 Canada Line Public Art Competition.
Tramp, 2016, 50″x24″, edition of 5. Shortlisted for the Capture Festival’s 2018 Canada Line Public Art Competition. Available for purchase.
Pencil Work, 2014, 50″x24″, edition of 5. Available for purchase.
Marlene Moris, Arenys de Munt, Catalonia, 2015
Untitled (Econiche), 2012

Long exposure pinhole photography, diptychs

I sometimes arrange my pinhole photographs as diptychs, influenced in part by comics theorist Scott McCloud’s consideration of how aspect-to-aspect transitions in comics (particularly manga) convey a sense of timelessness and ask the reader to construct a scene or idea from fragments. The effect can be disorienting while also providing an opening for contemplation, a quality that I think works well with long exposure, a medium that is already rife with missing information—another opening for you, the viewer, to bring your story.